Hercules Djay iOS DJControl Mix 2-Channel Controller Manual do usuário

Tipo
Manual do usuário
Europe, Middle East
ENGLISH
FRANÇAIS
DEUTSCH
NEDERLANDS
ITALIANO
ESPAÑOL
PORTUGUÊS
РУССКИЙ
ČESTINA
TÜRKÇE
POLSKI
SVENSKA
SUOMI
SLOVENCINA
MAGYAR NYELV
תירבע
ﺔﻴﺑﺮﻌﻟا
North America/
Norteamérica
ENGLISH
FRANÇAIS
ESPAÑOL
Latin America/
América Latina
ENGLISH
ESPAÑOL
PORTUGUÊS
Asia Pacic
日本語
简体中文
繁體中文
ENGLISH
iOS
for iOS
User Manual
This user manual sets out the main features available
with the free version of djay Pro AI for iOS. Additional
features are available in the paid version of djay Pro AI.
The complete user manual for the app is available here:
https://help.algoriddim.com/hc/ (in English only).
The djay Pro AI interface may vary depending on the
version of the app being used.
TABLE OF CONTENTS
1. INTERFACE ................................................... 3
2. FEATURES .................................................... 8
Waveforms .................................................... 8
Beatgrid ......................................................... 9
BPM and tempo .......................................... 11
Adjusting the BPM ..................................... 11
Tempo sensitivity ....................................... 13
Track synchronization ............................... 14
Slip mode .................................................... 16
Effects .......................................................... 17
FX .............................................................. 17
Loops ......................................................... 21
HOT CUE points ........................................ 23
Equalizer .................................................... 25
Monitoring ................................................... 26
3. OTHER ......................................................... 28
Settings ....................................................... 28
FAQs and technical support ..................... 29
djay Pro AI subscription ............................ 29
3
1. Interface
The djay Pro AI interface lets you access two virtual
music decks, a crossfader, transport controls, and a
music library browser. DJControl Mix gives you
hardware control over two decks.
4
Track selection button. Tap to access your music
library and select a track. Displays the cover artwork for
the selected track.
Track name (below) and artist name (above).
Time remaining/elapsed. Tap to toggle between
one display and the other.
Dashboard button. Tap to access the user menu
and app settings.
Track overview waveform.
Deck playhead.
5
SYNC button. Tap to sync the BPM values of the
two tracks.
Track BPM. Tap to open the BPM/Tempo window.
Mixer button. Tap to display the mixer section and
adjust the volume, the gain and the filter, as well as the
EQ (low, mid and high frequencies).
Scrolling waveform button. Tap to display the
scrolling waveforms for each deck.
Looper/Sampler button. Tap to display the Looper
or Sampler panel.
Tempo fader. Slide the fader to increase or decrease
the track’s BPM.
6
Key lock button. Tap to lock the track’s musical key.
Virtual deck.
NM/FX/Loop/Cue/EQ button. Tap to access the
panel for effects, loops, HOT CUE points and the
equalizer.
Tempo bend +/ button. Tap and hold + or to
temporarily speed up or slow down playback of the track.
7
Play/Pause button.
Cue Set button. Tap to set a CUE point at the
current location of the deck playhead.
Cue Jump button. When the track is paused, tap to
move the deck playhead to the CUE point. When the
track is playing, tap to resume playback from the CUE
point. If no CUE point has been set, tap the button to
move the deck playhead to the start of the track.
Crossfader. Slide the crossfader to transition
between the two tracks. Tap the arrow to the right or to
the left of the crossfader to start an automatic transition
in the direction of the arrow.
8
2. Features
Waveforms
The djay Pro AI app displays the track overview
waveform of each track. You can also display a detailed
zoom of the waveform that automatically scrolls along
with the track, by tapping the scrolling waveform
button (10).
The different audio frequencies are represented by way
of a color code: red for low frequencies, yellow for low-
mid frequencies, green for high-mid frequencies, and
blue for high frequencies. A red deck playhead bar
shows you where you are in the track. The CUE point
(white triangle) and HOT CUE points (different colored
triangles) also appear on the two waveforms.
In addition, the scrolling waveform moves forward or
backward depending on how you manipulate the track
(scratching, moving to the CUE point or a HOT CUE
point…).
9
To increase or reduce the size of the scrolling waveform,
tap or . The Waveforms pop-up window
appears. Tap the and + buttons to modify the size of
the waveform. To return to the default display, tap
Reset.
Beatgrid
A 4-beat grid is superimposed on the scrolling waveform.
The first beat of a bar (the down beat) is represented by
a yellow line. The following beats (intermediate beats)
are each represented by a gray line.
Occasionally, the beatgrid will not correspond to the
rhythm of the track and will require manual editing.
10
To correct the beatgrid:
1. Make sure that djay Pro AI has finished analyzing
the track.
2. Position the deck playhead at the spot where the
first beat of the first bar should be located.
3. Tap . The beatgrid editor appears.
4. In the Downbeat tab, tap Set Grid Start when the
deck playhead is at the correct location to move the
beatgrid.
To return to the default beatgrid, tap Restore.
Increase the size of the scrolling
waveform to see the
alignment of the beatgrid on the music more precisely.
11
BPM and tempo
Adjusting the BPM
Occasionally, the BPM detected by djay Pro AI will not
correspond to the track’s actual BPM value. The BPM
will then have to be adjusted manually.
To correct a track’s BPM:
1. Tap Track BPM (8). The BPM/Tempo pop-up
window is displayed.
2. Select the BPM tab.
o HALF button: divide the BPM value set by djay
Pro AI by two.
o DOUBLE button: multiply the BPM value set by
djay Pro AI by two.
12
o TAP button: when the track is playing, tap the
TAP button several times to the beat of the
track. Next, tap Apply to correct the BPM.
To return to the BPM set by djay Pro AI, tap Restore.
13
Tempo sensitivity
You can modify the tempo range and the settings for the
tempo fader:
1. Tap Track BPM (8). The BPM/Tempo pop-up menu
appears.
2. Select the Tempo tab.
o Select Invert: invert the direction of the tempo
fader’s travel.
o Range ±: select a percentage range the tempo
fader controls.
14
Track synchronization
The djay Pro AI app offers two ways to sync tracks:
Tempo sync: only synchronizes tracks’ BPM.
Beat sync: synchronizes tracks’ BPM and aligns the
beats.
To automatically sync two tracks, make sure that both
tracks are playing, then tap the SYNC button (7).
15
To modify the sync settings:
1. Access the djay Pro AI settings: tap the Dashboard
button (4), then tap Settings and General.
2. In the Sync mode section, you can modify the sync
type and interval:
o Sync type: choose between tempo
synchronization (BPM only) or beat
synchronization (BPM and Beats).
o Beat Sync Interval: choose whether beat
synchronization is carried out on one or four
beats.
16
Slip mode
In Slip mode, the deck playhead continues to advance in
the background when you apply an effect or a loop, place a
CUE point, or when you use the Skip function or the jog
wheels. When you stop applying an effect, playback
resumes from the point where the track would be if it had
kept playing.
To enable Slip mode, tap or in the scrolling
waveform display. The Waveforms pop-up menu
appears. Toggle the Slip selector to the right.
Slip mode is automatically disabled whenever you
load a new track on a deck.
17
Effects
The djay Pro AI app offers four modes that help you
liven up your mix. To access the different modes, tap the
NM/FX/Loop/Cue/EQ button (15).
FX
To access the effects panel, tap .
FX Pad tab
Seven effects are available: Echo, Reverb, Flanger,
Phaser, Bit Crusher, Gate and Alarm.
Select an effect, then use the pad to apply the effect and
modulate it.
18
Instant tab
16 effects are available: Punch, Reverb, Chop,
Flanger 4, Bit Crusher, Twist, Phaser 4, Drift, Absorb,
Landing 1, Echo Out +1, Reverb Out, Gate 1/4, Alarm,
Hydrant and Rocket.
To apply an effect, tap and hold the name of the effect.
The effect stops when you stop holding the name of the
effect.
19
You can modify the effects assigned to each pad on
DJControl Mix:
1. Tap . Three dots appear next to the name of each
effect.
2. Tap next to the name of the effect that you want
to modify.
3. Select the new effect in the list of effects, then tap
Apply.
The four effects on the top row correspond to the four
pads on DJControl Mix.
  • Page 1 1
  • Page 2 2
  • Page 3 3
  • Page 4 4
  • Page 5 5
  • Page 6 6
  • Page 7 7
  • Page 8 8
  • Page 9 9
  • Page 10 10
  • Page 11 11
  • Page 12 12
  • Page 13 13
  • Page 14 14
  • Page 15 15
  • Page 16 16
  • Page 17 17
  • Page 18 18
  • Page 19 19
  • Page 20 20
  • Page 21 21
  • Page 22 22
  • Page 23 23
  • Page 24 24
  • Page 25 25
  • Page 26 26
  • Page 27 27
  • Page 28 28
  • Page 29 29
  • Page 30 30
  • Page 31 31
  • Page 32 32
  • Page 33 33
  • Page 34 34
  • Page 35 35
  • Page 36 36
  • Page 37 37
  • Page 38 38
  • Page 39 39
  • Page 40 40
  • Page 41 41
  • Page 42 42
  • Page 43 43
  • Page 44 44
  • Page 45 45
  • Page 46 46
  • Page 47 47
  • Page 48 48
  • Page 49 49
  • Page 50 50
  • Page 51 51
  • Page 52 52
  • Page 53 53
  • Page 54 54
  • Page 55 55
  • Page 56 56
  • Page 57 57
  • Page 58 58
  • Page 59 59
  • Page 60 60
  • Page 61 61
  • Page 62 62
  • Page 63 63
  • Page 64 64
  • Page 65 65
  • Page 66 66
  • Page 67 67
  • Page 68 68
  • Page 69 69
  • Page 70 70
  • Page 71 71
  • Page 72 72
  • Page 73 73
  • Page 74 74
  • Page 75 75
  • Page 76 76
  • Page 77 77
  • Page 78 78
  • Page 79 79
  • Page 80 80
  • Page 81 81
  • Page 82 82
  • Page 83 83
  • Page 84 84
  • Page 85 85
  • Page 86 86
  • Page 87 87
  • Page 88 88
  • Page 89 89
  • Page 90 90
  • Page 91 91
  • Page 92 92
  • Page 93 93
  • Page 94 94
  • Page 95 95
  • Page 96 96
  • Page 97 97
  • Page 98 98
  • Page 99 99
  • Page 100 100
  • Page 101 101
  • Page 102 102
  • Page 103 103
  • Page 104 104
  • Page 105 105
  • Page 106 106
  • Page 107 107
  • Page 108 108
  • Page 109 109
  • Page 110 110
  • Page 111 111
  • Page 112 112
  • Page 113 113
  • Page 114 114
  • Page 115 115
  • Page 116 116
  • Page 117 117
  • Page 118 118
  • Page 119 119
  • Page 120 120
  • Page 121 121
  • Page 122 122
  • Page 123 123
  • Page 124 124
  • Page 125 125
  • Page 126 126
  • Page 127 127
  • Page 128 128
  • Page 129 129
  • Page 130 130
  • Page 131 131
  • Page 132 132
  • Page 133 133
  • Page 134 134
  • Page 135 135
  • Page 136 136
  • Page 137 137
  • Page 138 138
  • Page 139 139
  • Page 140 140
  • Page 141 141
  • Page 142 142
  • Page 143 143
  • Page 144 144
  • Page 145 145
  • Page 146 146
  • Page 147 147
  • Page 148 148
  • Page 149 149
  • Page 150 150
  • Page 151 151
  • Page 152 152
  • Page 153 153
  • Page 154 154
  • Page 155 155
  • Page 156 156
  • Page 157 157
  • Page 158 158
  • Page 159 159
  • Page 160 160
  • Page 161 161
  • Page 162 162
  • Page 163 163
  • Page 164 164
  • Page 165 165
  • Page 166 166
  • Page 167 167
  • Page 168 168
  • Page 169 169
  • Page 170 170
  • Page 171 171
  • Page 172 172
  • Page 173 173
  • Page 174 174
  • Page 175 175
  • Page 176 176
  • Page 177 177
  • Page 178 178
  • Page 179 179
  • Page 180 180
  • Page 181 181
  • Page 182 182
  • Page 183 183
  • Page 184 184
  • Page 185 185
  • Page 186 186
  • Page 187 187
  • Page 188 188
  • Page 189 189
  • Page 190 190
  • Page 191 191
  • Page 192 192
  • Page 193 193
  • Page 194 194
  • Page 195 195
  • Page 196 196
  • Page 197 197
  • Page 198 198
  • Page 199 199
  • Page 200 200
  • Page 201 201
  • Page 202 202
  • Page 203 203
  • Page 204 204
  • Page 205 205
  • Page 206 206
  • Page 207 207
  • Page 208 208
  • Page 209 209
  • Page 210 210
  • Page 211 211
  • Page 212 212
  • Page 213 213
  • Page 214 214
  • Page 215 215
  • Page 216 216
  • Page 217 217
  • Page 218 218
  • Page 219 219
  • Page 220 220
  • Page 221 221
  • Page 222 222
  • Page 223 223
  • Page 224 224
  • Page 225 225
  • Page 226 226
  • Page 227 227
  • Page 228 228
  • Page 229 229
  • Page 230 230
  • Page 231 231
  • Page 232 232
  • Page 233 233
  • Page 234 234
  • Page 235 235
  • Page 236 236
  • Page 237 237
  • Page 238 238
  • Page 239 239
  • Page 240 240
  • Page 241 241
  • Page 242 242
  • Page 243 243
  • Page 244 244
  • Page 245 245
  • Page 246 246
  • Page 247 247
  • Page 248 248
  • Page 249 249
  • Page 250 250
  • Page 251 251
  • Page 252 252
  • Page 253 253
  • Page 254 254
  • Page 255 255
  • Page 256 256
  • Page 257 257
  • Page 258 258
  • Page 259 259
  • Page 260 260
  • Page 261 261
  • Page 262 262
  • Page 263 263
  • Page 264 264
  • Page 265 265
  • Page 266 266
  • Page 267 267
  • Page 268 268
  • Page 269 269
  • Page 270 270
  • Page 271 271
  • Page 272 272
  • Page 273 273
  • Page 274 274
  • Page 275 275
  • Page 276 276
  • Page 277 277
  • Page 278 278
  • Page 279 279
  • Page 280 280
  • Page 281 281
  • Page 282 282
  • Page 283 283
  • Page 284 284
  • Page 285 285
  • Page 286 286
  • Page 287 287
  • Page 288 288
  • Page 289 289
  • Page 290 290
  • Page 291 291
  • Page 292 292
  • Page 293 293
  • Page 294 294
  • Page 295 295
  • Page 296 296
  • Page 297 297
  • Page 298 298
  • Page 299 299
  • Page 300 300
  • Page 301 301
  • Page 302 302
  • Page 303 303
  • Page 304 304
  • Page 305 305
  • Page 306 306
  • Page 307 307
  • Page 308 308
  • Page 309 309
  • Page 310 310
  • Page 311 311
  • Page 312 312
  • Page 313 313
  • Page 314 314
  • Page 315 315
  • Page 316 316
  • Page 317 317
  • Page 318 318
  • Page 319 319
  • Page 320 320
  • Page 321 321
  • Page 322 322
  • Page 323 323
  • Page 324 324
  • Page 325 325
  • Page 326 326
  • Page 327 327
  • Page 328 328
  • Page 329 329
  • Page 330 330
  • Page 331 331
  • Page 332 332
  • Page 333 333
  • Page 334 334
  • Page 335 335
  • Page 336 336
  • Page 337 337
  • Page 338 338
  • Page 339 339
  • Page 340 340
  • Page 341 341
  • Page 342 342
  • Page 343 343
  • Page 344 344
  • Page 345 345
  • Page 346 346
  • Page 347 347
  • Page 348 348
  • Page 349 349
  • Page 350 350
  • Page 351 351
  • Page 352 352
  • Page 353 353
  • Page 354 354
  • Page 355 355
  • Page 356 356
  • Page 357 357
  • Page 358 358
  • Page 359 359
  • Page 360 360
  • Page 361 361
  • Page 362 362
  • Page 363 363
  • Page 364 364
  • Page 365 365
  • Page 366 366
  • Page 367 367
  • Page 368 368
  • Page 369 369
  • Page 370 370
  • Page 371 371
  • Page 372 372
  • Page 373 373
  • Page 374 374
  • Page 375 375
  • Page 376 376
  • Page 377 377
  • Page 378 378
  • Page 379 379
  • Page 380 380
  • Page 381 381
  • Page 382 382
  • Page 383 383
  • Page 384 384
  • Page 385 385
  • Page 386 386
  • Page 387 387
  • Page 388 388
  • Page 389 389
  • Page 390 390
  • Page 391 391
  • Page 392 392
  • Page 393 393
  • Page 394 394
  • Page 395 395
  • Page 396 396
  • Page 397 397
  • Page 398 398
  • Page 399 399
  • Page 400 400
  • Page 401 401
  • Page 402 402
  • Page 403 403
  • Page 404 404
  • Page 405 405
  • Page 406 406
  • Page 407 407
  • Page 408 408
  • Page 409 409
  • Page 410 410
  • Page 411 411
  • Page 412 412
  • Page 413 413
  • Page 414 414
  • Page 415 415
  • Page 416 416
  • Page 417 417
  • Page 418 418
  • Page 419 419
  • Page 420 420
  • Page 421 421
  • Page 422 422
  • Page 423 423
  • Page 424 424
  • Page 425 425
  • Page 426 426
  • Page 427 427
  • Page 428 428
  • Page 429 429
  • Page 430 430
  • Page 431 431
  • Page 432 432
  • Page 433 433
  • Page 434 434
  • Page 435 435
  • Page 436 436
  • Page 437 437
  • Page 438 438
  • Page 439 439
  • Page 440 440
  • Page 441 441
  • Page 442 442
  • Page 443 443
  • Page 444 444
  • Page 445 445
  • Page 446 446
  • Page 447 447
  • Page 448 448
  • Page 449 449
  • Page 450 450
  • Page 451 451
  • Page 452 452
  • Page 453 453
  • Page 454 454
  • Page 455 455
  • Page 456 456
  • Page 457 457
  • Page 458 458
  • Page 459 459
  • Page 460 460
  • Page 461 461
  • Page 462 462
  • Page 463 463
  • Page 464 464
  • Page 465 465
  • Page 466 466
  • Page 467 467
  • Page 468 468
  • Page 469 469
  • Page 470 470
  • Page 471 471
  • Page 472 472
  • Page 473 473
  • Page 474 474
  • Page 475 475
  • Page 476 476
  • Page 477 477
  • Page 478 478
  • Page 479 479
  • Page 480 480
  • Page 481 481
  • Page 482 482
  • Page 483 483
  • Page 484 484
  • Page 485 485
  • Page 486 486
  • Page 487 487
  • Page 488 488
  • Page 489 489
  • Page 490 490
  • Page 491 491
  • Page 492 492
  • Page 493 493
  • Page 494 494
  • Page 495 495
  • Page 496 496
  • Page 497 497
  • Page 498 498
  • Page 499 499
  • Page 500 500
  • Page 501 501
  • Page 502 502
  • Page 503 503
  • Page 504 504
  • Page 505 505
  • Page 506 506
  • Page 507 507
  • Page 508 508
  • Page 509 509
  • Page 510 510
  • Page 511 511
  • Page 512 512
  • Page 513 513
  • Page 514 514
  • Page 515 515
  • Page 516 516
  • Page 517 517
  • Page 518 518
  • Page 519 519
  • Page 520 520
  • Page 521 521
  • Page 522 522
  • Page 523 523
  • Page 524 524
  • Page 525 525
  • Page 526 526
  • Page 527 527
  • Page 528 528
  • Page 529 529
  • Page 530 530
  • Page 531 531
  • Page 532 532
  • Page 533 533
  • Page 534 534
  • Page 535 535
  • Page 536 536
  • Page 537 537
  • Page 538 538
  • Page 539 539
  • Page 540 540
  • Page 541 541
  • Page 542 542
  • Page 543 543
  • Page 544 544
  • Page 545 545
  • Page 546 546
  • Page 547 547
  • Page 548 548
  • Page 549 549
  • Page 550 550
  • Page 551 551
  • Page 552 552
  • Page 553 553
  • Page 554 554
  • Page 555 555
  • Page 556 556
  • Page 557 557
  • Page 558 558
  • Page 559 559
  • Page 560 560
  • Page 561 561
  • Page 562 562
  • Page 563 563
  • Page 564 564
  • Page 565 565
  • Page 566 566
  • Page 567 567
  • Page 568 568
  • Page 569 569
  • Page 570 570
  • Page 571 571
  • Page 572 572
  • Page 573 573
  • Page 574 574
  • Page 575 575
  • Page 576 576
  • Page 577 577
  • Page 578 578
  • Page 579 579
  • Page 580 580
  • Page 581 581
  • Page 582 582
  • Page 583 583
  • Page 584 584
  • Page 585 585
  • Page 586 586
  • Page 587 587
  • Page 588 588
  • Page 589 589
  • Page 590 590
  • Page 591 591
  • Page 592 592
  • Page 593 593
  • Page 594 594
  • Page 595 595
  • Page 596 596
  • Page 597 597
  • Page 598 598
  • Page 599 599
  • Page 600 600
  • Page 601 601
  • Page 602 602
  • Page 603 603
  • Page 604 604
  • Page 605 605
  • Page 606 606
  • Page 607 607
  • Page 608 608
  • Page 609 609
  • Page 610 610
  • Page 611 611
  • Page 612 612
  • Page 613 613
  • Page 614 614
  • Page 615 615
  • Page 616 616
  • Page 617 617
  • Page 618 618
  • Page 619 619
  • Page 620 620
  • Page 621 621
  • Page 622 622
  • Page 623 623
  • Page 624 624
  • Page 625 625
  • Page 626 626
  • Page 627 627
  • Page 628 628
  • Page 629 629
  • Page 630 630
  • Page 631 631
  • Page 632 632
  • Page 633 633
  • Page 634 634
  • Page 635 635
  • Page 636 636
  • Page 637 637
  • Page 638 638
  • Page 639 639

Hercules Djay iOS DJControl Mix 2-Channel Controller Manual do usuário

Tipo
Manual do usuário